Wednesday, July 23, 2008
In order to keep this blog alive, I decided to post this...
Some Tips (part one)
Know your instrument
Belgian instrument maker Adolphe Sax patented the saxophone in 1846. He created 14 different varieties for military band and orchestra. The
orchestral instruments were keyed in C and F. The
military band instruments were keyed in B-flat and E-flat. These are the instruments that are still in use today including the
sopranino, soprano, alto, tenor, baritone, bass, and contrabass.
Practice with a metronome
The metronome is a tool to help you
improve your sense of time and tempo. Set the b.p.m. (beats per minute) slow enough so you can keep up. As you begin to feel more comfortable working with the metronome, gradually increase the speed until it becomes more of a challenge.
Every instrumentalist should place a strong emphasis on developing a good, strong sense of time and rhythm.
Use a chromatic tunerIntonation can only be improved by
regular practice with a chromatic tuner or other fixed pitch instrument such as a piano or electronic keyboard. Saxophone intonation is
affected by the quality of the mouthpiece/reed combination and make of the instrument. Intermediate and professional instruments tend to have better intonation. Also, poor
breathing habits can adversely affect intonation. Always breathe deep using the diaphragm muscles. (
Put your hand flat over your stomach when you inhale. Does it stick out? If not, you aren't breathing right. Your stomach should stick out when you breathe in and withdraw when you breathe out.)
Find the most in-tune notes on your instrument. Tune those notes and adjust your embouchure (the muscles in and around your mouth) to fix the other out of tune notes.
Concert A is usually the best choice for starting to tune. Push the mouthpiece in to correct flatness; pull the mouthpiece out to correct sharpness. Temperature can affect tuning -
cold instruments are flat and
warm instruments are sharp. It’s a good idea to tune slightly flat at the beginning of your playing session so that you will fall into tune as you warm up. No further tuning will be necessary after you warm up. You should
only adjust pitch with slight adjustments in your embouchure.
Mouthpieces and reedsThis is the most important part of your sound regardless of the quality of your instrument. Find the right mouthpiece and reed combination that works for you. Not all players can use the same mouthpiece with the same results. What works good for some people may not work for everyone. Your set-up should be easy to play and sound good. This is easier said than done! You must experiment with a few different mouthpieces and reeds to find what works best for you.
Credits:
http://www.wayneleechford.com/saxophonetips.htmlI'll soon compile all the infos I gather into another post.
Expect it to be PART 2!
Yi Jie (bty alto saxophonist)(Section Leader 2008-2009)
edited: angeline (bty alto saxophonist)